Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Franz Xaver Winterhalter
Alfred-Emilien, Comte de Nieuwerkerke

ID: 00596

Franz Xaver Winterhalter Alfred-Emilien, Comte de Nieuwerkerke
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Franz Xaver Winterhalter Alfred-Emilien, Comte de Nieuwerkerke


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Franz Xaver Winterhalter

German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | Portrait of Prince Albert | Princess Pauline de Metternich | The Empress Eugenie a la Marie-Antoinette | Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber | Portrait of the Queen Marie Amelie of France |
Related Artists:
Mathieu le Nain
1607 - 1677
Thomas Lyde Hornbrook
painted Vista do Outeiro da Gloria in 1838
Justus van Egmont
Justus van Egmont (Leiden, 22 September 1601 - Antwerp, 8 January 1674) was a Dutch Golden Age painter and designer of tapestry. Justus van Egmont moved to Antwerp at age 14 with his family where he became apprenticed to the painter Caspar van den Hoecke (ca. 1585 - ca 1648). In 1618, three years later, he undertook a Grand Tour to Italy in the manner of other artists of his day. This was considered a necessary rite of passage for artists after Karel van Mander published his Schilderboeck in 1604.






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